
A not-too-long walk, in a barely familiar place, yielded a good number of photographs. It was so windy that I was almost blown over, my hair a mess and my cheeks a ruddy, youthful pink. Grey skies, which had been spitting and spotting rain when I set out, cleared as the weather said it would and became

The water was home to a lot of birds: swans, ducks, seagulls (both herring and black-headed) and a large colony of cormorants. Seeing them wheel above me in the air or float serenely down the river was most magical. Their grace and elegance at all times, however they choose to move (except, perhaps when on land), is something that few humans ever manage to emulate.
It was very much a me-walk. I didn’t opt to take anyone, I just needed a little ‘alone time’ without being inside – I needed to think and to see. Part of one of the modules I study is covering how we see things – and how writers, poets, lyricists and artists see ‘actively’. I know that is true – I am the child of a very artistic mother, whose ability to ‘see’ things in the most mundane of objects, to bring out an often hidden beauty, I seem to have (thankfully) picked up too.

This term is taking a very different course from last term. So far, we haven’t had any assignments posted, though I know that this week I will be getting a couple handed out to us. Thankfully there are just over half of what we had last term and this term they contain two of our own-choice modules.

I am deeply enjoying getting into poetry in a more academic setting. I have read poetry since I was a young child and I began writing them when I was young too (I continue to be surprised by the number of people who don’t read poetry – why?!). I know that most of my poetry isn’t Keats, Thomas or Manley-Hopkins, however I have continued to write it and even if nothing gets done with them, they mark sections of my life. I can chronicle happiness and struggles in these little dated nuggets that I keep in a series of well-loved books.

Ironically, I have found that it is my poetry that is proving to be… not ‘better’ because that is such a subjective word, but more rounded, more developed than the prose side of my writing. I would dearly like for this to improve and I believe it will with time, particularly because I have always hoped to write prose on a far larger scale (my first fully-developed short story – 20,000 words – came last summer and ensured a love of writing long prose).

Anyway, back to the walk and learning to see actively. I think I’ve always done it – and I believe anyone who reads Pied Beauty and says “yes, I feel just like that when I see those things!” probably does too.
The more I become enchanted by the Romantic movement, the more I think I happened a couple of hundred years too late. Nowadays, the Romantics have been superseded by the movement du jour, which I would guess are the modern nature-poets/ eco-poets, who are very much aware of the world around them and its continual degradation by man. I have always found the Romantic aesthetic very pleasing: Nature is at the forefront of the works and it inspires (as it always should) awe. Caspar David Friedrich captured it best in his painting Wanderer above the Sea of Fog.

The idea of Nature (with a capital ‘N’) has always been a huge part of my life. I like to experience what I believe – and have always believed – is the most obvious instance of divine perfection: the natural world. This spills forth into every aspect of my life and has always shaped me as a person. I think that is why I have to get out into it regularly, why I love to have the window open (however cold, just to smell that wonderful ozone smell), to hear birds and rejoice in each turning cycle of life.
Which again brings me back to the walk. It is marvellous to be in a place where I can escape for the morning and just enjoy the wind in my hair, the smell of the ozone and the beauty of the world. All that from the ground – I can only imagine what it is like from a birds-eye perspective…
